Oʻzbekcha

Musiqiy eshitish testi

1. Bepul, roʻyxatdan oʻtishsiz. Toʻliq natija shu sahifada.

Helibrain jamoasiRobert, biofizika boʻyicha doktorant, tekshirganChop etilgan: Oxirgi tekshiruv:

Musiqiy eshitishingiz qanday?

  1. 1. Tovush balandligi: ikki tovush. Ikkinchisi balandroqmi yoki pastroqmi? Farq bora-bora kichrayadi.
  2. 2. Ritm: qisqa zarbni tinglab, takroran bosing.
  3. 3. Ixtiyoriy: eshitgan notani ayting (mutlaq eshitish).

Taxminan 4 daqiqa. Quloqchin yordam beradi, karnay ham boʻladi.

Embed this test

Musiqiy eshitish testi

Copy this code into an HTML block on your website. Keep the text link below the test so readers can find the original.

Optional. Without the script, the test stays in a scrollable frame. Your editor must allow scripts to use automatic resizing.

Free to embed. Keep the test, Helibrain credit and link intact; do not alter the test or present it as your own.

Live preview

Qanday oʻynaladi?

  1. Tovush balandligi: ikki tovush. Ikkinchisi balandroqmi yoki pastroqmi? Farq bora-bora kichrayadi.
  1. Ritm: qisqa zarbni tinglab, takroran bosing.
  1. Ixtiyoriy: eshitgan notani ayting (mutlaq eshitish).

Taxminan 4 daqiqa. Quloqchin yordam beradi, karnay ham boʻladi.

Natijani qanday tushunish kerak?

Farq — 10 tadan taxminan 7 safar ajrata olgan eng kichik oʻzgarish. Kichikroq — nozikroq eshitish. Musiqiy mashq, charchoq va diqqat taʼsir qiladi. Ritm bir xil tezlikka moslanganda yaqin boʻlsa, toʻgʻri sanaladi. Bu oʻyin, eshitish tekshiruvi emas. Xavotir boʻlsa, shifokor yoki audiologga boring.

Koʻp soʻraladigan savollar

Test bepulmi?

Ha. Toʻliq natija bepul, roʻyxatdan oʻtish, email yoki toʻlov shart emas. Natijalar adolatli taqqoslashlar uchun saqlanadi. Maxfiylik siyosati tafsilotlarni tushuntiradi.

Oʻxshash testlar

Barcha 43 ta bepul aqliy test

Har kuni shugʻullanmoqchimisiz? Helibrain ilovasida (hozircha inglizcha) bepul va pulli rejalar bor.

Manbalar

  1. Athos EA, Levinson B, Kistler A, et al. (2007). Dichotomy and perceptual distortions in absolute pitch ability. PNAS 104(37):14795–14800. doi.org/10.1073/pnas.0703868104
  2. Micheyl C, Delhommeau K, Perrot X, Oxenham AJ (2006). Influence of musical and psychoacoustical training on pitch discrimination. Hearing Research 219(1–2):36–47. doi.org/10.1016/j.heares.2006.05.004 (cent values as summarized in Deroche et al. 2017, doi.org/10.1121/1.5005496)
  3. Bianchi F, Santurette S, Wendt D, Dau T (2016). Pitch discrimination in musicians and non-musicians: effects of harmonic resolvability and processing effort. Journal of the Association for Research in Otolaryngology 17(1):69–79. doi.org/10.1007/s10162-015-0548-2
  4. Larrouy-Maestri P, Harrison PMC, Müllensiefen D (2019). The mistuning perception test: a new measurement instrument. Behavior Research Methods 51(2):663–675. doi.org/10.3758/s13428-019-01225-1
  5. Peretz I, Vuvan DT (2017). Prevalence of congenital amusia. European Journal of Human Genetics 25(5):625–630. doi.org/10.1038/ejhg.2017.15
  6. Deutsch D, Henthorn T, Marvin E, Xu H (2006). Absolute pitch among American and Chinese conservatory students: prevalence differences, and evidence for a speech-related critical period. Journal of the Acoustical Society of America 119(2):719–722. doi.org/10.1121/1.2151799
  7. Miyazaki K, Makomaska S, Rakowski A (2012). Prevalence of absolute pitch: a comparison between Japanese and Polish music students. Journal of the Acoustical Society of America 132(5):3484–3493. doi.org/10.1121/1.4756956
  8. Aschersleben G (2002). Temporal control of movements in sensorimotor synchronization. Brain and Cognition 48(1):66–79. doi.org/10.1006/brcg.2001.1304
  9. Levitt H (1971). Transformed up-down methods in psychoacoustics. Journal of the Acoustical Society of America 49(2B):467–477. doi.org/10.1121/1.1912375
  10. Jacoby N, McDermott JH (2017). Integer ratio priors on musical rhythm revealed cross-culturally by iterated reproduction. Current Biology 27(3):359–370. doi.org/10.1016/j.cub.2016.12.031
  11. Peretz I, Champod AS, Hyde K (2003). Varieties of musical disorders. The Montreal Battery of Evaluation of Amusia. Annals of the New York Academy of Sciences 999:58–75. doi.org/10.1196/annals.1284.006
  12. Kalmus H, Fry DB (1980). On tune deafness (dysmelodia): frequency, development, genetics and musical background. Annals of Human Genetics 43(4):369–382. doi.org/10.1111/j.1469-1809.1980.tb01571.x

Sahifani Helibrain jamoasi yuqoridagi tadqiqotlar asosida yozgan. Biofizika boʻyicha doktorant Robert 4-noyabr, 2026 kuni tekshirgan. Manbalar oʻzgarsa, sahifani yangilaymiz.